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- Ben-Tal and Berger, 2004
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Ben-Tal, O. and Berger, J. (2004).
Creative aspects of sonification.
Leonardo, 37(3).
- Chion, 1994
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Chion, M. (1994).
Audio-Vision.
Columbia University Press.
- Cook, 2002
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Cook, P. R. (2002).
Real Sound Synthesis for Interactive Applications.
AK Peters.
- Dodge and Jerse, 1985
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Dodge, C. and Jerse, T. (1985).
Computer Music: Synthesis Composition and Performance.
Schirmer Books.
- Harvey and Wright, 1999
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Harvey, B. and Wright, M. (1999).
Simply Scheme,Introducing Computer Science, 2nd Edition.
MIT Press.
- Holtzman, 1995
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Holtzman, S. R. (1995).
Digital Mantras: The Language of Abstract and Virtual Worlds.
MIT Press, Cambridge MA, EE.UU.
- Jackendoff, 1995
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Jackendoff, R. (1995).
Languages of the Mind: Essays on Mental Representation.
MIT Press, Cambridge MA, EE.UU.
- Kahn, 1994
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Kahn, D., editor (1994).
Wireless Imagination: Sound, Radio, and the Avant-Garde.
MIT Press, Cambridge MA, EE.UU.
- Lerdahl and Jackendoff, 1985
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Lerdahl, F. and Jackendoff, R. (1985).
A Generative Theory of Tonal Music.
MIT Press, Cambridge, EE.UU.
- Lévi-Strauss, 1969
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Lévi-Strauss, C. (1969).
The Raw and the Cooked.
Harper and Row.
- Moore, 1998
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Moore, F. R. (February 17, 1998).
Elements of Computer Music.
Pearson Education POD.
- Morris, 1998
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Morris, A. K., editor (1998).
Sound States: Innovative Poetics and Acoustical Technologies.
University of North Carolina Press.
- Moten, 1998
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Moten, F. (1998).
Sound in Florescence, pages 213-234.
University of North Carolina Press.
- Pierce, 1980
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Pierce, J. R. (1980).
An Introduction to Information Theory, Symbols, Signals and
Noise.
Dover, Nueva York, EE.UU.
- Reyes, 2004
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Reyes, J. (2004).
Momentos de interseccion: Reflexiones sobre musica y plastica.
Arte y Contexto.
Madrid, Spain.
- Reyes, 2006
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Reyes, J. (2006).
Perpendicularidad entre el arte sonoro y la música.
Cuadernos del Centro de Estudios en DyC, 20.
Universidad de Palermo, Facultad de Diseño y Comunicación, Buenos
Aires, Argentina.
- Russell and Norvig, 1995
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Russell, S. and Norvig, P. (1995).
Artificial Intelligence, A modern Approach.
Prentice Hall, New Jersey, EUA.
- Verplank, 2003
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Verplank, B. (2003).
Interaction design.
Stanford MUS250.
http://hci.sapp.org/lectures/verplank/interaction/.
- Weis and Belton, 1985
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Weis, E. and Belton, J. (1985).
Film Sound.
Columbia University Press.
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