Bibliografía

1

C. et al. Cadoz.
A modular feedback keyboard design.
Computer Music Journal, 14(2):47-51, 1990.

2

Chris Chafe and M. Sile O'Modhrain.
Musical muscle memory and the haptic display of performance nuance.
In Proceedings of ICMC 1996 Thessaloniki. ICMA, 1996.

3

Perry R. Cook, editor.
Music, Cognition, and Computerized Sound : An Introduction to Psychoacoustics.
MIT Press, 1999.

4

Brent Gillespie.
Music, Cognition, and Computerized Sound : An Introduction to Psychoacoustics, chapter 18, Haptics, pages 229-245.
MIT Press, 1999.

5

Brent Gillespie.
Music, Cognition, and Computerized Sound : An Introduction to Psychoacoustics, chapter 19, Haptics in Manipulation, pages 247-260.
MIT Press, 1999.

6

R. Brent Gillespie.
Haptic Display of Systems with Changing Kinematic Constraints: The Virtual Piano Action.
PhD thesis, Stanford University, 1996.

7

Bill Verplank Max V. Mathews and Robert Shaw.
Scanned synthesis.
Proceedings of ICMC Berlin, 2000.

8

Charles Nichols.
vbow v.1 and v.2.
In Proceedings of NIME 2002. Nime, 2002.

9

M. Sile O'Modhrain and Chris Chafe.
Incorporating haptic feedback into interfaces for music applications.
In Proceedings of ISORA, World Automation Conference 2000, 2000.

10

Sile O'Modhrain and Brent Gillespie.
The moose: A haptic user interface for blind persons.
Technical Report Report No. Stan-M95; CCRMA, Stanford University, 1995.

11

Jean C. Risset and Max Mathews.
Analysis of instrumental tones.
Physics Today, 1969a.